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Friday, September 30, 2011

Homeland Security ends immigrant registration

 The U.S. government has ended a controversial counterterrorism program created in the aftermath of the Sept. 11, 2001, attacks that required men living in the U.S. who came from mostly Muslim countries to register with federal authorities.
Called NSEERS -- National Security Entry-Exit Registration System -- the program required registration, interviews and fingerprinting of male visitors 16 and older from Muslim nations as well as North Korea.

The program targeted men entering the country as well as more than 80,000 men already in the U.S., about 1,000 of them from metro Detroit. Nearly 13,800 residents were further investigated, and 2,870 were later deported.
But not a single case resulted in anyone being charged with terrorism -- a fact that experts say proves the program was a failure that unfairly harassed thousands.
NSEERS did "not catch terrorists," said Shoba Sivaprasad Wadhia, a law professor at Penn State University who has extensively researched the program. "It was ineffective and alienating."
The Department of Homeland Security quietly ended the program through a notice buried on its Web site on April 28.

Homeland Security immigration program ends, but Dearborn dad faces deportation for minor violation

In 2003, long lines formed at federal immigration offices in Detroit as anxious men from Arab and other countries waited to be registered under a new counterterrorism program.
The government said the registration, including fingerprinting and interviews, was needed to help secure the country in the war on terrorism. But many felt it was ethnic harassment.
"They treated us like animals," Siefeddine Siefeddine, 44, of Dearborn recalled Friday.
The Lebanon native says he went through a registration process from 9 a.m.-7 p.m., only to be told to report back the next day.

Across the U.S., about 80,000 men like him -- those 16 or older from 24 Muslim-majority countries and North Korea who already lived in the U.S. -- eventually were registered though the domestic part of NSEERS, the National Security Entry-Exit Registration System. Many were interrogated, and all had to report back periodically.
The aftermath of 9/11

Started in 2002, the registration was part of a broader program that required visitors from those countries to register at ports of entry and local immigration offices. It was sparked by the fact that the Sept. 11, 2001, terrorist attackers were in the U.S. as visitors from Arab countries.
The U.S. gets few visitors from North Korea.

The program "amounted to little more than a crude profiling system" that was counterproductive, said Edward Alden, a senior fellow at the Council on Foreign Relations and author of "The Closing of the American Border: Terrorism, Immigration, and Security Since 9/11" (Harper Perennial, $15.99). He called it "one of the worst vestiges of the immediate aftermath of 9/11."
The program caused intense anxiety for many Arab-Americans and Muslims, split up families and led to thousands of deportations for minor immigration violations. But in the end, it didn't catch a single terrorist, experts say.

The program effectively ended April 28 when the Department of Homeland Security removed the 25 countries from the NSEERS.
"It's a welcome step in the right direction," said Imad Hamad, regional director of the American-Arab Anti-Discrimination Committee. "This was way overdue."
In many ways, the registration requirement was an example of government overkill in the war on terrorism, he and others said.

"It was ineffective and a waste of government resources," said Nabih Ayad, a Canton attorney who represented men registered under NSEERS, including Siefeddine. "It was racial profiling on its face."
Family man in trouble
Out of the 80,000 U.S. residents who were registered, 13,799 were referred for further investigations and 2,870 were detained.
Many were deported for immigration violations that ordinarily would not have been a priority for law enforcement.

Siefeddine, for example, faces deportation because he was found in 2003 to have overstayed a visitor's visa, normally a low-priority violation. Now Siefeddine works at a gas station and said he can't go back to Lebanon because of his wife and two children.
Several advocacy groups, including the Arab-American committee and the National Immigration Forum, are asking the Department of Homeland Security to reconsider these cases. The department says it will review them on an individual basis.

Most visitors fingerprinted
Another problem with NSEERS, critics say, is that when the Department of Justice started the program in 2002, it was not properly publicized. Some men got in trouble for failing to comply with NSEERS even though they were unaware of the program.
And many who did show up faced problems.
In California in 2002, about 400 people were detained on the spot when they showed up to register, raising fears in Middle Eastern and Muslim communities. Critics said the process had echoes of registration programs for ethnic groups during World War II.
The U.S. government was low-key in ending NSEERS: Its April 28 notice was not publicized. In the notice, the Department of Homeland Security said it was "eliminating redundant programs."
Since 2004, most visitors are already fingerprinted upon entering the U.S. through the U.S.-Visit program.

Shoba Sivaprasad Wadhia, an attorney and law professor who heads the Center for Immigrants' Rights at Penn State University, cowrote a report in 2009 on NSEERS that said the program was discriminatory and ineffective.
The problem, said Wadhia and others, was using immigration law to fight terrorism.
"Any policing methods based on profiling will fail -- as was the case with NSEERS," said Abed Ayoub, a Dearborn native who is the national legal director for the American-Arab Anti-Discrimination Committee.

Wednesday, September 28, 2011

Up



HERRIMAN, Utah � Cute is the Walt Disney Company�s stock in trade, but there is nothing soft and cuddly about how it protects its intellectual property.




The sherbet-colored structure sits at the intersection of Meadowside Drive and Herriman Rose Boulevard here, but you don�t need directions to find it. Just look for the swarm of helium-filled balloons that the developer tied to the chimney of a house that has a gabled roof, scalloped siding and agarden hose neatly coiled next to the porch � all details taken from �Up,� the 2009 hit about an old man and his flying abode.

The house is a product of the strange obsession of one man � in this case, the son of a former governor � his connections, the film�s powerful director and a company that is trying to evaluate with more care the hundreds of requests it receives a month from people wanting to use its characters and imagery.

Movie Real Estate: The Ghost and Mrs. Muir

This is the house that started it all. This is the house that I fell in love with as a young girl and never got over. It all started when I was little, and my mother introduced me to The Ghost and Mrs. Muir. An old house by the sea, the turrets inspire some of the many perspectives in the film. Balmy weather and lush vegetation often frame the home and the story.

1900: Having had enough of living with her late husband�s mother and maiden aunt, young widow Lucy Muir decides to move with her daughter Anna to a place of her own by the sea. Her eye falls on the picturesque coastal village of Whitecliff where she finds a beautiful house Gull Cottage. The landlord tries his hardest to dissuade Lucy from taking the cottage, telling her that all the previous tenants have moved out just as quickly as they moved in. Lucy soon discovers the reason for the landlord�s warnings when she sees windows and doors open on their own, candles blown out and hears disembodied laughter. Unlike the previous tenants, strong-willed Lucy refuses to be scared off by the hauntings and demands that the ghost reveal himself. He appears and Lucy recognises him immediately as Captain Daniel Gregg, the cottage�s previous owner and whose portrait hangs above the mantelpiece. Initially hostile towards one another, Lucy and the Captain soon develop a mutual respect that quickly becomes admiration. When Lucy suddenly finds herself in financial difficulties, in order to raise money the Captain (or Daniel as he asks her to call him) dictates to her a novel about his life. While writing the book, Daniel and Lucy learn more about each other and become closer.

I can�t possibly tell you more, you�ll just have to rent it for yourself.

Who wouldn�t want to live here?


Gull Cottage: The Ghost and Mrs Muir
There really is, in fact, a Gull Cottage. It resides in Montecito, California, shouldered between condominiums, and minus the lion statues on the porch, the ship�s wheel on the balcony, and the widow�s walk on the roof. Many of the interior scenes in the television series were shot in the house, and the rest were filmed at Twentieth Century Fox. Below are some stills highlighting some of the interior.


Viewing the house for the first time...and the infamous monkey tree.




The inside hallyway. Beautiful staircase -


The kichen: huge stove and well lit.


Bedroom with view of the sea.


Bedroom, fireplace view.

http://movierealestate.wordpress.com/2009/04/05/hello-world/

Gull Cottage in the Movie �The Ghost and Mrs. Muir�

by HOOKEDONHOUSES on SEPTEMBER 12, 2011


The classic 1947 Academy-Award nominee The Ghost and Mrs. Muir featured an unforgettably romantic seaside house in the (fictitious) English village of Whitecliff-by-the-Sea. Gene Tierney starred as Lucy Muir, a young widow who rents Gull Cottage, only to discover that the handsome sea captain who died there is still haunting it.

The movie was actually filmed entirely in California. Steve told Movie Real Estate it was built by the production department of 20th Century Fox in Palos Verdes and taken down after filming ended.

The set had no running water or electricity, and the ceilings were removable to accommodate lights and sound equipment.

The famous Monkey Puzzle tree in the front yard�which Rex Harrison�s Captain Daniel Gregg planted himself and is unhappy to see taken down�was real. It was found on the back lot of Fox studios and transplanted for the shoot. You can read more about Monkey Puzzle trees here.

They built a greenhouse on the side of the house that they didn�t end up using in the movie. You can see it in this production photo taken during filming:



In the front hall, these double doors lead to the living room, where Lucy first sees the Captain�s portrait and becomes intrigued by it:

The word muir (and Lucy�s last name) is Gaelic for �the sea.�

Real estate agent Mr. Coombe tells Lucy that Captain Gregg committed suicide, which is why he�s haunting the house. But the Captain insists he didn�t kill himself�hekicked the gas heater over in his sleep.

He has run everyone else off the property within a day or two, but Lucy isn�t as easily frightened. She loves the cottage and is determined to stay�ghost or no ghost. An unconventional romance ensues.

The Cottage Kitchen was kind of primitive but cozy:

Gene Tierney starred in several memorable classics besides this one, including Laura(1944) and Leave Her to Heaven (1945).



Despite her beauty and fame, Tierney had a difficult life marked by tragedy and mental illness.

She had a daughter with husband Oleg Cassini in 1943 who was born with multiple special needs after Tierney was exposed to Rubella during her pregnancy. She had to drop out of later film roles because of mental instability and personal troubles and died at the age of 70 from emphysema.

The movie was based on a popular 1945 novel written by British author Josephine Leslie under the (unfortunate) pseudonym R.A. Dick. It was adapted by American screenwriter Philip Dunne.



The upstairs hallway:

Lucy�s daughter Anna was played by Natalie Wood. Here�s a photo of her with the dog taken during filming:

We only got a brief look at Anna�s bedroom when Lucy tucks her in one night, but you can see a little more of it in this production still:

The Captain�s bedroom was captured in this panoramic view on set:

Lucy pays the rent on the cottage with dividends from a gold mine. When the mine shuts down, she�s afraid she�ll have to move back in with her bossy in-laws.

The Captain isn�t about to let her go, though. He comes up with a plan to dictate a rough and tumble book about his seafaring life called Blood and Swash. Lucy finds a publisher and it becomes a bestseller.

The painting of Captain Gregg that he insisted Lucy hang in the bedroom was actually a photo of Rex Harrison that they painted over.

In this production shot you can see how the ceiling panels could be removed for lights and cameras to come down:

Looking into the Captain�s (and Lucy�s) bedroom window at night from the outside:

Lucy (stupidly) falls for children�s book author Miles Farley (George Sanders) after meeting him at her publisher�s office. He turns out to be a charming cad, but it takes her a while to notice.

The Captain says goodbye to Lucy while she�s sleeping, telling her she needs to move on and experience real-life love. When she wakes up, she�ll think he was just a dream (I hate that part! Don�t go, Captain Gregg!).

This production shot shows the back door of Gull Cottage:

The Captain and Lucy in the front yard:

And a view of bathers on the beach below:

In the final scene of the movie (spoiler alert!), Lucy and the Captain walk out of the house together, arm in arm:

Did anyone else think it was sad that she spent so many years alone, believing the Captain was nothing but a strange dream she had when she first moved there? He should have come back when she kicked Miles to the curb, IMO.

Two weeks ago I posted photos of the real house used in the 1960s sitcom �The Ghost & Mrs. Muir,� which was based on this movie. It�s beautiful, too, and was also filmed in California instead of England. You can see it here if you missed it!

The �Jumping the Broom� House on Martha�s Vineyard

by HOOKEDONHOUSES on SEPTEMBER 26, 2011




Pretty much the minute the romantic comedy Jumping the Broom hit theaters earlier this year, I started getting emails from readers about the house. When I finally had a chance to see it myself, I understood why there was so much interest in it.

Paula Patton plays Sabrina, a bride-to-be who�s getting married at her parents� waterfront mansion on Martha�s Vineyard. And what a mansion it is! Let�s take a look�

Most of the movie was filmed on location at a house in Nova Scotia, Canada, which doubled for Martha�s Vineyard. The interiors as well as exteriors were used.


In this scene, T.D. Jakes (who was also one of the producers on the movie) meets with the couple as the minister who is going to marry them:

Jason (played by Laz Alonso) and Sabrina walk through the front gates and up the driveway to the house:

The groom�s family and friends arrive for the weekend and enter through the front door:

Set Decorator Brian Enman told MSN Lifestyle in an interview that the house was pretty much camera-ready when he got there: �The home was 90% there and very tastefully done.� He says he only had to add some additional artwork, accents, and greenery.

Angela Bassett plays Sabrina�s mom to chilly perfection.

I love Julie Bowen as Claire Dunphy on �Modern Family� (pics of those houseshere), but her character Amy the wedding planner in this movie was so irritating that I found myself cringing every time she was onscreen. I snapped this photo of her walking into the house because you could see the living room with the fireplace straight ahead.

When Jason�s mom, played by Loretta Devine, walks down the hall, we get to see the beautiful woodwork. Kind of odd how they hung the third framed photo (the ceiling is lower there, but it looks strange to me):



Mrs. Watson leads her guests into the living room:

Is it just me or do the furniture placement and sizes in this room look a little off? A production photo (via Sony Pictures) shows the corner close up:

The kitchen was shown mostly in close-up shots when it was crowded with people, so it was hard to get a good feel for the size of it. The silver tile backsplash really stood out against the stained wood cabinets:

In this shot you can see that the kitchen opens up into a large eating area:

Sabrina�s bedroom is pretty simple with white walls and pale wood furniture:

I wonder why the mirror over her dresser is so small and hung so high?

When I see rooms that are this sparse and undecorated, it usually means they were shot inside a real house. Sets built on soundstages always seem to look a little more �done� and layered.

The master bedroom is pretty plain, too, considering how much this couple (and their house) is worth:

Jason�s mom (who you may recognize as the actress who plays Adele on �Grey�s Anatomy�) stayed in a guest suite upstairs that featured this lovely sitting room with vaulted ceilings:

We get a glimpse of Mr. Watson�s wood-paneled den during a wedding-morning montage, which has a pool table and a record player:

The screened porch:

Wedding guests lounge on white slipcovered furniture on the lawn, overlooking the water:

The wedding tent (via MSN):

A peek inside:

The bride gets walked down the aisle by her dad (played by Brian Stokes Mitchell) in the backyard :

Paula Patton brought her newborn to set with her, having given birth to a baby boy named Julian a few months before. You�d never know it to look at her!

Jumping the Broom got mixed reviews, but hey, it had gorgeous actors, beautiful clothes, and a great house to look at�not to mention a happy ending. I always give movies points for things like that. Ha. What did you think of it?